Guests of the Film Festival Molodist-2005


John Irvin

An assistant editor in British films, Irvin began making documentaries in the '70s, and in 1980 helmed his first feature, the Frederick Forsyth adaptation The Dogs of War. A sturdy if impersonal craftsman, Irvin also helmed Fred Astaire's final film, the horror tale Ghost Story; the romantic comedy Turtle Diary, scripted by Harold Pinter; and the Vietnam War drama Hamburger Hill.

Gerard Juignot

He got «Sezar» 2005 like the best actor. Film «Choristers» where he is playing main role, won a couple of degrees of European Film Academy. Also was nominated for Oscar like the best non-English-speaking film. He is the most highly-paid French actor.

Krzysztof Zanussi

Poland based filmmaker, writer and producer, is a major figure in European cinema. A professor at the Silesian University in Katowice and former president of FERA (Federation Europeenne des Realisateurs de l'Audiovisuel), he is director of the Polish film studio TOR. Zanussi studied physics, film and philosophy in Warsaw and Krakow and graduated in film direction from the Lodz Film School. Since 1966 he has directed numerous documentaries and feature films and worked for television. Zanussi has also worked as stage and opera director in Poland, Germany, France, Russia, Italy and Switzerland. Major films: The Structure of Crystals, Family Life, Behind the Wall, The Illumination, The Contract, The Year of the Quiet Sun, Wherever You Are, Life for a Life, The Silent Touch, Camouflage, Weekend Stories, In Full Gallop, Our God's Brother, Life as a Fatal Sexually Transmitted Disease.


Jerzy Hoffman

Director Jerzy Hoffman gained his place in history of Polish cinematography through adaptations of the popular Trilogy of epic prose by Nobel Prize winner Henryk Sienkiewicz. Hoffman's fascination with Sienkiewicz goes back to his time as a child in Siberia, to where his family was displaced from Stryj (Poland) during World War II. He received his first copy of the Trilogy form his father who fought on the Eastern Front. By chance Hoffman received books in reverse order and this was also the order in which he made his adaptations. First came Getleman Wolodyjowski, then Deluge and finally With Fire and Sword. The first book, With Fire and Sword was censored at the time and he consequently read it on his return to Poland. The completion of With Fire and Sword was seen as a triumph after 'Hoffman's 30-year war" with the Polish government. The Communists' dislike of Sienkiewicz, the author who represented 'old and noble Poland', did not effect the enormous enthusiasm for his books amongst the Polish public. Hoffman's adaptations have always been greeted with sincere applause and became national events, breaking box office records. Of all his projects With Fire and Sword received the most objection by the government when initially wanted to begin the film in the late 1960's. It was not until well after the political changes in 1989 that it was possible to make and release the film
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