Two centuries after the historic crossing of the Andes that led to South America’s liberation from Spanish colonization, a group of engineers and Andean muleteers embark on an expedition across the mountains to liberate a robot.

As a young filmmaker comes of age behind a camera, she turns it on her own community and unearths stories of sexual assault experienced by her mother, her peers, and eventually herself. Along the way, she meets survivors, perpetrators, and experts. Together, they explore the gray areas of sex, power, and consent, seeking to break cycles of harm and uncover radical possibilities for healing.

Eat cauliflower with mayonnaise. Sort through papers. Take care of the chickens. Feed the metastases. Learn poems. Drink beer. Prepare his family. Although doctors gave him three years to live, Yann Patou lived with cancer for 18 years. As death approaches, Yann tries to keep smiling and constantly reminds me that we must “hurry up and live”.

A son returns to face the silence of his father—once a mujahideen fighter, later a spiritual leader and poet—and through their fragile journey of reconnection, discovers that even the hardest hearts can hide the deepest longing for love.

A filmmaker in crisis sets out to find the last lighthouse keepers. What begins as a journey across the land becomes a journey within, where the act of filming merges with their fading stories – an ode to a disappearing way of life.

Without anyone knowing, Markku has been creating art for the last 34 years in his house. In the director's childhood, they lived wall to wall and were close, but then Markku moved away, disappearing from her life.